The Choir Of Westminster Abbey, Martin Neary, Iain Simcock, Martin Baker, London Brass's 'Let All the World in Every Corner Sing ("Luckington")' came out on May 8, 2012. With Let All the World in Every Corner Sing ("Luckington") being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "The Queen's Diamond Jubilee - Royal Music from Westminster Abbey". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Let All the World in Every Corner Sing ("Luckington") is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Let All the World in Every Corner Sing ("Luckington") by The Choir Of Westminster Abbey, Martin Neary, Iain Simcock, Martin Baker, London Brass having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All my hope | Hubert Parry, St. Paul's Cathedral Choir, Malcolm Archer | B♭ Major | 2 | 6B | 89 BPM | ||
Adeste Fideles (O come, all ye faithful) | Choir of King's College, Cambridge, David Briggs, Stephen Cleobury | G Major | 1 | 9B | 136 BPM | ||
Let All Mortal Flesh Keep Silence (Picardy) | Traditional, Choir of King's College, Cambridge, Stephen Cleobury | D Minor | 1 | 7A | 64 BPM | ||
Let All Mortal Flesh Keep Silence | The Cathedral Singers | G Minor | 2 | 6A | 126 BPM | ||
Hadley: I Sing of a Maiden | Patrick Hadley, Choir of King's College, Cambridge, Francis Grier, Philip Ledger | D♭ Minor | 0 | 12A | 130 BPM | ||
Prizeman, Beethoven: Joyful, Joyful, We adore Thee (After Beethoven's Ode to Joy from Symphony No. 9 in D Minor, Op. 125) [Live] | Ludwig van Beethoven, Libera, Robert Prizeman | F♯ Major | 3 | 2B | 113 BPM | ||
A choral fanfare | John Rutter, The Cambridge Singers | F Major | 0 | 7B | 72 BPM | ||
Céad Míle Fáilte Romhat | trad, The Priests, Allan Wilson, Slovak National Symphony Orchestra | F Major | 2 | 7B | 84 BPM | ||
The Dettingen Te Deum: III. To Thee All Angels Cry Aloud | George Frideric Handel, The English Concert, Simon Preston, The Choir Of Westminster Abbey, Trevor Pinnock | F Major | 1 | 7B | 87 BPM | ||
Magnificat primi toni a 8 | Giovanni Pierluigi da Palestrina, Stephen Cleobury, Choir of King's College, Cambridge | C Minor | 2 | 5A | 81 BPM |
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