"Hadley: I Sing of a Maiden" by Patrick Hadley, Choir of King's College, Cambridge, Francis Grier, Philip Ledger was released on December 15, 2023. The duration of Hadley: I Sing of a Maiden is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Hadley: I Sing of a Maiden's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Patrick Hadley, Choir of King's College, Cambridge, Philip Ledger, London Philharmonic Orchestra's "Hadley: The Hills - Delius: To Be Sung of a Summer Night on the Water" album is number 1 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Hadley: I Sing of a Maiden's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hadley: I Sing of a Maiden by Patrick Hadley, Choir of King's College, Cambridge, Francis Grier, Philip Ledger to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 81 BPM | ||
All-Night Vigil, Op. 37: IV. Gladsome Light | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Toby Vaughn Kidd | C Minor | 0 | 5A | 78 BPM | ||
The Passing of the Year: No. 4. Hot sun, cool fire | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | B Major | 1 | 1B | 74 BPM | ||
Requiem: Salvator mundi | Herbert Howells, Choir of St. John's College, Cambridge, Christopher Robinson | G Major | 0 | 9B | 139 BPM | ||
Mother of God | John Tavener, Mikhail Lermontov, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | F Major | 1 | 7B | 86 BPM | ||
Mass in D Major, Op. 86, B. 153: IV. Sanctus | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | D Major | 2 | 10B | 140 BPM | ||
In Te, Domine, Spreavi | Nordic Chamber Choir - Nicol Matt | D Minor | 0 | 7A | 83 BPM | ||
The Passing of the Year: No. 6. Adieu! farewell earth's bliss! | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | B♭ Minor | 0 | 3A | 82 BPM | ||
St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
Vexilla regis, WAB 51 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 130 BPM |
Section: 0.5696642398834229
End: 0.5748763084411621