Andre Cardinal Destouches, Arion Orchestre Baroque, Mathieu Lussier's 'Le Carnaval et la Folie: Gigue' came out on September 8, 2023. With Le Carnaval et la Folie: Gigue being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arion Orchestre Baroque, Mathieu Lussier's "Les soupers du roy" album is number 8 out of 26. On top of that, Canada appears to be the country where this track was created. Based on our statistics, Le Carnaval et la Folie: Gigue's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Carnaval et la Folie: Gigue by Andre Cardinal Destouches, Arion Orchestre Baroque, Mathieu Lussier to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum: III. Te per orbem terrarum | Giovanni Bononcini, Owen Rees, Academy of Ancient Music, Helen Charlston | B Minor | 2 | 10A | 71 BPM | ||
Zaïde, reine de Grenade: Air pour les Turcs en rondeau | Joseph-Nicolas-Pancrace Royer, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 0 | 2B | 141 BPM | ||
Fantasia-Suite in A Minor, VdGS group IV, No. 1: III. Courante | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata seconda | Giovanni Battista Fontana, Enrico Onofri, Imaginarium, Alessandro Palmeri | C Minor | 0 | 5A | 81 BPM | ||
Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Sonata a 6 in D Minor, G. 24 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | C Major | 2 | 8B | 120 BPM | ||
Céphale et Procris, Prologue: Marche pour Nérée et les Dieux Marins | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Platée, Acte 1 Scène 3: Ariette badine "Que ce séjour est agréable !" (Platée, Clarine) | Jean-Philippe Rameau, Les Arts Florissants, William Christie, Marcel Beekman, Emmanuelle De Negri | E♭ Major | 1 | 5B | 104 BPM | ||
Il diluvio universale, Act I "In Cielo": O Giustizia Divina | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | A♭ Minor | 0 | 1A | 124 BPM | ||
Trio Sonata in C Major, BuxWV 256: V. Adagio - Allegro | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM |
Section: 0.6323568820953369
End: 0.6370289325714111