"Harpsichord Concerto No.1 in D Minor, BWV 1052: I. Allegro" by Johann Sebastian Bach, Hélène Grimaud, Deutsche Kammerphilharmonie Bremen, Florian Donderer was released on January 1, 2008. Since Harpsichord Concerto No.1 in D Minor, BWV 1052: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 17 in Bach by Johann Sebastian Bach, Hélène Grimaud, Deutsche Kammerphilharmonie Bremen. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Harpsichord Concerto No.1 in D Minor, BWV 1052: I. Allegro is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Harpsichord Concerto No.1 in D Minor, BWV 1052: I. Allegro by Johann Sebastian Bach, Hélène Grimaud, Deutsche Kammerphilharmonie Bremen, Florian Donderer is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | C Major | 1 | 8B | 74 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Notturno For Piano, Violin And Violoncello In E Flat Major, Op. 148, D 897 | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Maximilian Hornung | B♭ Major | 0 | 6B | 129 BPM | ||
Suite en Sol: Les Sauvages | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 2 | 6A | 97 BPM | ||
5 Morceaux de fantaisie, Op. 3: No. 1 Elégie in E-Flat Minor | Sergei Rachmaninoff, Yuja Wang | E Minor | 0 | 9A | 139 BPM | ||
Concerto for 2 Harpsichords in C Minor, BWV 1060: III. Allegro (Arr. for Violin, Oboe, Strings & Continuo) | Johann Sebastian Bach, Hilary Hahn, Allan Vogel, Los Angeles Chamber Orchestra, Jeffrey Kahane | C Minor | 5 | 5A | 116 BPM | ||
Chant du Ménestrel, Op. 71 | Alexander Glazunov, Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | B Minor | 0 | 10A | 82 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Sonate No.4 (Six Sonates en symphonies op.3): 2. Aria: Andante gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 102 BPM |
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