Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La's 'Sonata for 2 Violins, Op. 5, No. 7: I. Largo' came out on January 1, 2002. The duration of Sonata for 2 Violins, Op. 5, No. 7: I. Largo is about 3 minutes long, at 3:16. Based on our data, "Sonata for 2 Violins, Op. 5, No. 7: I. Largo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Giovanni Battista Mazzaferrata, Stefano Montanari's "Mazzaferrata: Primo Libro Delle Sonate A 2 Violini (Il)" album is number 25 out of 49. On top of that, Italy appears to be the country where this track was created. Sonata for 2 Violins, Op. 5, No. 7: I. Largo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata for 2 Violins, Op. 5, No. 7: I. Largo by Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia melodica in C Major, TWV 50:2: Sinfonia melodica in C Major, TWV 50:2: III. Bourrée | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Fantasia: Fantasia | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Oboe Concerto, GWV 302: II. Tempo giusto | Christoph Graupner, Elisabeth Grümmer, Ensemble der »Bachkantaten in Vorarlberg« | F♯ Major | 0 | 2B | 79 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | A♭ Minor | 1 | 1A | 73 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Lachrimae | Johann Schop, Rachel Podger, Brecon Baroque | D♭ Minor | 1 | 12A | 119 BPM | ||
Ayres for the Violin, Book 1 (Excerpts): Adagio | Nicola Matteis, Veronika Skuplik, Andreas Arend | A♭ Minor | 2 | 1A | 78 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 6, La noble fierté | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM |
Section: 0.5435376167297363
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