Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck made "Sinfonia melodica in C Major, TWV 50:2: Sinfonia melodica in C Major, TWV 50:2: III. Bourrée" available on March 8, 2024. With Sinfonia melodica in C Major, TWV 50:2: Sinfonia melodica in C Major, TWV 50:2: III. Bourrée being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Georg Philipp Telemann, Christina Landshamer, Akademie für Alte Musik Berlin, Bernhard Forck's "Ino & Late Works" album is number 27 out of 31. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Sinfonia melodica in C Major, TWV 50:2: Sinfonia melodica in C Major, TWV 50:2: III. Bourrée is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Sinfonia melodica in C Major, TWV 50:2: Sinfonia melodica in C Major, TWV 50:2: III. Bourrée by Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: II. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: IV. Air contrefugué | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Il Giardino d'Amore: Sinfonia | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 0 | 1A | 65 BPM | ||
Concerto No. 1 in E-Flat Major for Trumpet, Strings and B.C.: II. Larghetto | Johann Wilhelm Hertel, Andre Schoch, Stuttgart Chamber Orchestra | C Minor | 1 | 5A | 127 BPM | ||
Musique de table, Pt. I, Quartet in G Major, TWV 43:G2: IV. Vivace | Georg Philipp Telemann, Orchestra of the Golden Age | D♭ Major | 0 | 3B | 106 BPM | ||
Telemann: Quintet for 2 Horns, 2 Violins and Continuo in F Major, TWV 44:7: V. Bourée | Georg Philipp Telemann, Nikolaus Harnoncourt, Hermann Rohrer, Horst Fischer, Concentus Musicus Wien | G Major | 3 | 9B | 82 BPM | ||
Oboe Concerto in D Major, Op. 7 No. 6: III. Allegro | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | D Major | 5 | 10B | 115 BPM | ||
Christus hat einmal für die Sünde gelitten, TWV 1:140: III. Es klagte das Gesetz | Georg Philipp Telemann, Julia Grutzka, Gutenberg Soloists, Neumeyer Consort, Felix Koch | F♯ Major | 1 | 2B | 95 BPM | ||
Sinfonia No. 12 in la minore (La passione di Gesù Signor nostro): IV. Adagio | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM |
Section: 0.784869909286499
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