"Messiah / Pt. 2: No. 21, And With His Stripes We Are Healed" by Sven-David Sandström, Michael Nagy, Timothy Fallon, Festivalensemble Stuttgart, Helmuth Rilling was released on March 1, 2010. With Messiah / Pt. 2: No. 21, And With His Stripes We Are Healed being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 50 in the song's album "Sandström: Messiah". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Messiah / Pt. 2: No. 21, And With His Stripes We Are Healed is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messiah / Pt. 2: No. 21, And With His Stripes We Are Healed by Sven-David Sandström, Michael Nagy, Timothy Fallon, Festivalensemble Stuttgart, Helmuth Rilling having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass for unaccompanied double choir: I. Kyrie | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 137 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | C Minor | 1 | 5A | 86 BPM | ||
Harmony of Angels | LeoRoads | E Minor | 2 | 9A | 130 BPM | ||
Messiah / Pt. 1: No. 10, The People that Walked in Darkness | Sven-David Sandström, Michael Nagy, Festivalensemble Stuttgart, Helmuth Rilling | E♭ Major | 0 | 5B | 131 BPM | ||
Mass in G Minor: Gloria in excelsis | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, Daniel Brown, James Adams, Michael Bell, William Ashford, Andrew Nethsingha | C Major | 0 | 8B | 143 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
Ur drömliv I (Arr. for Vocal Ensemble) | Elfrida Andrée, Singer Pur | A Major | 0 | 11B | 65 BPM | ||
Crossing the Bar | Hubert Parry, Choir of Jesus College, Cambridge, Mark Williams | D Major | 1 | 10B | 70 BPM | ||
Klusas dziemas (silent songs): I. Nosapi parsapi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | F Minor | 0 | 4A | 129 BPM |
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