Pskovityanka (The Maid of Pskov): Entr'acte to Act II: The Assembly - Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin Information

Acousticness: 90%
Danceability: 21%
Energy: 3%
Instrumentalness: 87%
Liveness: 11%
Loudness: 53%
Speechiness: 4%
Valence: 4%
Popularity: 1%
Loudness: -28.363 dB

Summary

"Pskovityanka (The Maid of Pskov): Entr'acte to Act II: The Assembly" by Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin was released on December 14, 2000. With this song being about 5 minutes long, at 5:25, "Pskovityanka (The Maid of Pskov): Entr'acte to Act II: The Assembly" by Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Rimsky-Korsakov: Maid of Pskov (The) / Fairy Tale". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Pskovityanka (The Maid of Pskov): Entr'acte to Act II: The Assembly's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Pskovityanka (The Maid of Pskov): Entr'acte to Act II: The Assembly BPM

With Pskovityanka (The Maid of Pskov): Entr'acte to Act II: The Assembly by Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Pskovityanka (The Maid of Pskov): Entr'acte to Act II: The Assembly Key

This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	D Minor	0	7A	117 BPM
Lyric Pieces, Book 5, Op. 54: Nocturne	Edvard Grieg, Alessio Bax	C Major	0	8B	72 BPM
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace	Antonín Dvořák, New York Philharmonic, Alan Gilbert	C Major	1	8B	121 BPM
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby]	Johannes Brahms, Yo-Yo Ma	E♭ Major	0	5B	134 BPM
Salut d'amour, Op. 12 (version for orchestra)	Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper	B♭ Major	1	6B	82 BPM
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	B♭ Major	3	6B	160 BPM
Concerto for Strings in A Minor, RV 161: I. Allegro	Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini	B♭ Major	5	6B	124 BPM
Hungarian Dance No. 5 in G Minor	London Philharmonic Orchestra	G Minor	2	6A	139 BPM
Paganini: 24 Caprices, Op. 1: No. 2 in B Minor	Niccolò Paganini, Itzhak Perlman	B Minor	3	10A	95 BPM
The Snow Maiden / Prologue: "Minuyet lyeto krasnoye, sgoryat ogni kupalskiye"	Nikolai Rimsky-Korsakov, Ivan Murgashki, Belgrade National Opera Chorus, Belgrade National Opera Orchestra, Kreshimir Baranovich	B Minor	1	10A	81 BPM

ISRC: HKI199711503
Label: L-M Records/RCA Records

Section: 0.728104829788208

End: 0.7334768772125244