Kurt Weill, Palast Orchester, H.K. Gruber, Max Raabe made "All at Once (with Max Raabe)" available on February 5, 2001. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 19 in Charming Weill (with Max Raabe) by Kurt Weill, Palast Orchester. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, All at Once (with Max Raabe)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of All at Once (with Max Raabe) by Kurt Weill, Palast Orchester, H.K. Gruber, Max Raabe is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Morgen, Op. 27, No. 4 | Richard Strauss, Barbara Bonney, Malcolm Martineau | G Major | 0 | 9B | 168 BPM | ||
Rinaldo / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 92 BPM | ||
Jazz Suite No.1: 3. Foxtrot | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | D Major | 0 | 10B | 125 BPM | ||
Jazz Suite No. 1: III. Foxtrot (Blues) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F♯ Minor | 0 | 11A | 108 BPM | ||
Les Fêtes d'Hébé, RCT 41, La Danse, Scène VII: Musette et Tambourin en rondeau pour Terpsichore | Jean-Philippe Rameau, Teodor Currentzis | A♭ Major | 2 | 4B | 131 BPM | ||
Cold Song’ (What Power Art Thou...) | Henry Purcell, Voces8, Les Inventions, Dingle Yandell | E Minor | 1 | 9A | 134 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Denn wie man sich bettet, so liegt man | Kurt Weill, Dagmar Peckova, Epoque Quartet, Epoque Orchestra, Miroslav Hloucal Jazz Band, Jan Kučera | B♭ Minor | 5 | 3A | 115 BPM | ||
Scaramouche Suite: 3. Brazileira | Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | F Major | 4 | 7B | 92 BPM | ||
Puccini: La bohème, Act 1: "Sì. mi chiamano Mimì" (Mimì/Rodolfo) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D Major | 1 | 10B | 78 BPM |
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