Eric Schmidt, Jonathan Rosenberg made "Kapitel 2.2 & Kapitel 3.1 - Wie Google tickt - How Google Works" available on January 8, 2015. With this song being about 5 minutes long, at 4:32, "Kapitel 2.2 & Kapitel 3.1 - Wie Google tickt - How Google Works" by Eric Schmidt, Jonathan Rosenberg is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #4 out of 208 tracks. Kapitel 2.2 & Kapitel 3.1 - Wie Google tickt - How Google Works is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 2.2 & Kapitel 3.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg has a tempo of 55 beats per a minute, the tempo markings of this song would be Lento (slowly). With Kapitel 2.2 & Kapitel 3.1 - Wie Google tickt - How Google Works being at 55 BPM, the half-time would be 28 BPM with a double-time of 110 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Già il sole dal Gange | Alessandro Scarlatti, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
Gianni Schicchi, O Mimo Babbino Caro | A Nanut | A♭ Major | 1 | 4B | 174 BPM | ||
Requiem, Op. 9 (1961 version): Domine Jesu Christe | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | D♭ Minor | 1 | 12A | 129 BPM | ||
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | G Major | 2 | 9B | 112 BPM | ||
Messa di Gloria: XV. Et vitam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | D Major | 1 | 10B | 64 BPM | ||
3 extraits de la Messe des Morts: Agnus Dei | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Major | 2 | 8B | 165 BPM | ||
Strauss II, J: Das Spitzentuch der Königin: "Wo die wilde Rose erblüht" (Königin, König, Irene) | Johann Strauss II, Diana Damrau, Elke Kottmair, Emily Sierra, Ernst Theis, Das Münchner Rundfunkorchester | B♭ Major | 1 | 6B | 114 BPM | ||
Stabat Mater, FP 148: IX. Sancta mater | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | B♭ Minor | 2 | 3A | 87 BPM | ||
Del cabello más sutil | Fernando Obradors, José Carreras, Martin Katz | F♯ Major | 0 | 2B | 166 BPM | ||
Requiem aeternam: Recordare | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 1 | 7A | 121 BPM |
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