Giuseppe Verdi, Orchestra Sinfonica Nazionale della RAI di Torino, Franco Corelli, Arturo Basile's 'Ernani: Act I: Come rugiada al cespite' came out on September 1, 2015. The duration of Ernani: Act I: Come rugiada al cespite is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Ernani: Act I: Come rugiada al cespite's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 79 in the song's album "THE COMPLETE CETRA RECORDINGS". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United States. In terms of popularity, Ernani: Act I: Come rugiada al cespite is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ernani: Act I: Come rugiada al cespite by Giuseppe Verdi, Orchestra Sinfonica Nazionale della RAI di Torino, Franco Corelli, Arturo Basile having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act 2: Scena ed Aria. "Povero Rigoletto!" "La rà, la rà" | Giuseppe Verdi, Josephte Clement, Christian Du Plessis, Sherrill Milnes, John Gibbs, Riccardo Cassinelli, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E Minor | 2 | 9A | 110 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
Libiamo Ne' Lieti Calici (Brindisi) - la Traviata Atto I | Renata Tebaldi | C Major | 1 | 8B | 100 BPM | ||
L'Africaine / Act 4: "Mi batte il cor... O Paradiso!" | Giacomo Meyerbeer, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | D♭ Major | 1 | 3B | 90 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM |
Section: 0.5975401401519775
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