Richard Wagner, Emanuel List, Lauritz Melchior, Lotte Lehmann, Friedrich Schorr, Marjorie Lawrence, Julius Huehn, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Artur Bodanzky's 'Lohengrin, Act I Scene 2: Act I Scene 2: Seht ihn! Sie naht, die hart Beklagte! (Chorus, Heinrich, Elsa)' came out on February 1, 2015. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wagner: Lohengrin by Richard Wagner, Artur Bodanzky, Unknown Artist. The song's track number on the album is #5 out of 47 tracks. Based on our data, United States was the country where this track was produced or recorded. Lohengrin, Act I Scene 2: Act I Scene 2: Seht ihn! Sie naht, die hart Beklagte! (Chorus, Heinrich, Elsa) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin, Act I Scene 2: Act I Scene 2: Seht ihn! Sie naht, die hart Beklagte! (Chorus, Heinrich, Elsa) by Richard Wagner, Emanuel List, Lauritz Melchior, Lotte Lehmann, Friedrich Schorr, Marjorie Lawrence, Julius Huehn, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Artur Bodanzky has a tempo of 58 beats per a minute, the tempo markings of this song would be Lento (slowly). With Lohengrin, Act I Scene 2: Act I Scene 2: Seht ihn! Sie naht, die hart Beklagte! (Chorus, Heinrich, Elsa) being at 58 BPM, the half-time would be 29 BPM with a double-time of 116 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
Ruslan and Lyudmila / Act 1: Overture | Mikhail Glinka, London Symphony Orchestra, Sir Georg Solti | D Major | 3 | 10B | 83 BPM | ||
Pictures at an Exhibition (Orch. Ravel): III. Tuileries Gardens | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Minor | 0 | 2A | 97 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act I Scene 3: Am stillen Herd in Winterszeit | Richard Wagner, Maria Müller, Camilla Kallab, Max Lorenz, Jaro Prohaska, Josef Greindl, Benno Arnold, Helmut Fehn, Eugen Fuchs, Fritz Krenn, Gerhard Witting, Karl Krollmann, Herbert Gosebruch, Gustav Rödin, Franz Sauer, Alfred Dome, Erich Zimmermann, Erich Pina, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wilhelm Furtwängler | E Major | 2 | 12B | 85 BPM | ||
Alexander Nevsky, Op. 78: VI. Field Of The Dead | Sergei Prokofiev, Elena Obraztsova, London Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 77 BPM |
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