Ensemble Syd, Tomas Von Brömssen, Daniel Hansson made "Jag som trodde allt var bra" available on August 28, 2015. The duration of Jag som trodde allt var bra is about 3 minutes long, at 3:13. Based on our data, "Jag som trodde allt var bra" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ensemble Syd, Tomas Von Brömssen, Sanna Kallman's "Hur länge ska hon vara död?" album is number 9 out of 12. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Jag som trodde allt var bra's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Jag som trodde allt var bra by Ensemble Syd, Tomas Von Brömssen, Daniel Hansson to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lovely Selina | John Blow, Catherine Bott, Paula Chateauneuf, Mark Levy | F♯ Major | 0 | 2B | 128 BPM | ||
Oratio Nocturna~Slow Record ver.~ | Yoshihiro Ike | D Minor | 2 | 7A | 79 BPM | ||
Filen, mio caro bene, HanS 263: III. Chiedi pur ai monti (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Helena Rasker | F♯ Minor | 1 | 11A | 98 BPM | ||
Strike the Viol | Henry Purcell, Voces8, Les Inventions, Barnaby Smith | E Major | 2 | 12B | 125 BPM | ||
De lamentatione Jeremiae prophetae, T. 171 "Lamentations": VI. Jod | William Byrd, The Gesualdo Six, Owain Park | D♭ Minor | 1 | 12A | 134 BPM | ||
Zamba del Chaguanco (Zamba) | Antonio Nella Castro, Christina Pluhar, Hilda Herrera, Quito Gato | A Minor | 2 | 8A | 73 BPM | ||
Stabat Mater, G. 532 (1781 Version): I. Stabat Mater Dolorosa | Luigi Boccherini, Dominique Labelle, Sarasa Ensemble | E Major | 0 | 12B | 89 BPM | ||
Stabat Mater in G Minor: II. O quam tristis | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM | ||
O Magnum mysterium | Mignarda | E Minor | 0 | 9A | 94 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pectus: Aria "Pectus mihi confer mundum" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena | C Minor | 2 | 5A | 90 BPM |
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