Andrés Segovia, Enrique Granados made "12 Danzas espanolas (Spanish Dances), Op. 37: No. 10. Melancolica, "Danza triste" (arr. A. Segovia)" available on January 6, 2015. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 33 in the song's album "The Very Best of Andrés Segovia". In this album, this song's track order is #2. In terms of popularity, 12 Danzas espanolas (Spanish Dances), Op. 37: No. 10. Melancolica, "Danza triste" (arr. A. Segovia) is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With 12 Danzas espanolas (Spanish Dances), Op. 37: No. 10. Melancolica, "Danza triste" (arr. A. Segovia) by Andrés Segovia, Enrique Granados having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mandolin Concerto In C, RV 425 - Transcr. for two guitars A. Lagoya: 2. Largo | Antonio Vivaldi, Alexandre Lagoya, Ida Presti, Kurt Redel, Pro Arte Chamber Orchestra, Munchen | A Minor | 0 | 8A | 185 BPM | ||
Sonata, Op. 61: II. Andante | Joaquín Turina, Jan Depreter | A Minor | 0 | 8A | 106 BPM | ||
Prelude in C minor for lute BWV999 (arr. Segovia) | Andrés Segovia | B♭ Major | 1 | 6B | 102 BPM | ||
Recuerdos de la Alhambra (Tremolo Study) | Andrés Segovia | E♭ Major | 2 | 5B | 84 BPM | ||
4 Estaciones Portenas (pour guitare): N°.1 Primavera Porteña | Göran Söllscher, Astor Piazzolla | E Minor | 0 | 9A | 129 BPM | ||
Bardenklange, Op. 13: Book 3: No. 3. Capriccio | Johann Kaspar Mertz, Gabriel Bianco | D Minor | 1 | 7A | 152 BPM | ||
String Quartet No. 1 in E-Flat Major, Op. 12: II. Canzonetta (arr. A. Segovia) | Andrés Segovia, Felix Mendelssohn | A Major | 1 | 11B | 117 BPM | ||
12 Concertos, Op. 3 "L'estro armonico", Concerto No. 10 in B Minor for 4 Violins and Cello (Arr. P. Romero for 4 Guitars): III. Allegro | Antonio Vivaldi, Angel Romero, Celedonio Romero, Celin Romero, Pepe Romero, San Antonio Symphony Orchestra, Victor Alessandro | A Major | 1 | 11B | 126 BPM | ||
Passacaglia | Andrés Segovia | G Minor | 1 | 6A | 107 BPM | ||
Carcassi Op.60 N.19 Allegro Moderato | Matteo Carcassi, Lucio Matarazzo | G Major | 2 | 9B | 95 BPM |
Section: 0.6969249248504639
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