Johann Kaspar Mertz, Gabriel Bianco's 'Bardenklange, Op. 13: Book 3: No. 3. Capriccio' came out on May 26, 2009. With Bardenklange, Op. 13: Book 3: No. 3. Capriccio being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gabriel Bianco's "Guitar Recital: Bianco, Gabriel - Mertz, J.K. / Bach, J.S / Koshkin, N." album is number 2 out of 12. Based on our statistics, Bardenklange, Op. 13: Book 3: No. 3. Capriccio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bardenklange, Op. 13: Book 3: No. 3. Capriccio by Johann Kaspar Mertz, Gabriel Bianco to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Julia Florida | Berta Rojas | D Major | 1 | 10B | 75 BPM | ||
Guitar Quintet No. 4 in D Major, G. 448 (arr. J. Sparks): IV. Introduction - | Luigi Boccherini, Jeremy Sparks, Los Angeles Guitar Quartet | D Major | 0 | 10B | 114 BPM | ||
4 Valses Venezolanos: Vals No. 2 | Antonio Lauro, Adam Holzman | E Minor | 1 | 9A | 99 BPM | ||
Keyboard Sonata No. 24 in D Minor: II. Allegro (Arr. R. Oliveira for Guitar) | Carlos Seixas, Bokyung Byun | C Major | 1 | 8B | 157 BPM | ||
Prelúdio No. 4 | Sergio & Odair Assad | B♭ Major | 0 | 6B | 102 BPM | ||
Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
Solomon, HWV 67, Act III: Sinfonia, "Arrival of the Queen of Sheba" (arr. J. Dearman) | George Frideric Handel, John Dearman, Los Angeles Guitar Quartet | E Major | 2 | 12B | 107 BPM | ||
Bardenklänge, Op. 13: Scherzo | Johann Kaspar Mertz, Pavel Steidl | D♭ Major | 1 | 3B | 75 BPM | ||
Sonatina canonica, Op. 196: III. Fandango en Rondeau | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 2 | 8A | 113 BPM | ||
Nocturne No.1 Op.32 | Frédéric Chopin, Timo Korhonen | E Minor | 4 | 9A | 111 BPM |
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