Andrés Segovia made "Prelude in C minor for lute BWV999 (arr. Segovia)" available on 1999. With Prelude in C minor for lute BWV999 (arr. Segovia) being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "The Legendary Andrés Segovia". In this album, this song's track order is #3. In terms of popularity, Prelude in C minor for lute BWV999 (arr. Segovia) is currently below average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Prelude in C minor for lute BWV999 (arr. Segovia) by Andrés Segovia having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Bagatelles: III. Alla Cubana | William Walton, Ana Vidovic | B Minor | 1 | 10A | 74 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Song without Words, Op. 19, No. 4 | Felix Mendelssohn, Gerald Garcia | E Major | 0 | 12B | 126 BPM | ||
Solomon, HWV 67, Act III: Sinfonia, "Arrival of the Queen of Sheba" (arr. J. Dearman) | George Frideric Handel, John Dearman, Los Angeles Guitar Quartet | E Major | 2 | 12B | 107 BPM | ||
Schwanengesang, D. 957: No. 5. Aufenthalt (Delay) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | E Minor | 2 | 9A | 136 BPM | ||
4 Valses Venezolanos: Vals No. 2 | Antonio Lauro, Adam Holzman | E Minor | 1 | 9A | 99 BPM | ||
Grand Sonata in A Major, MS 3: I. Allegro risoluto | Niccolò Paganini, Marco Tamayo | E Minor | 2 | 9A | 69 BPM | ||
Zapateado | Regino Sáinz de la Maza, Jason Vieaux | E Major | 2 | 12B | 142 BPM | ||
Marta | Marco Pereira, Ricardo Cobo | A Minor | 0 | 8A | 67 BPM | ||
Sarabande for Guitar, FP 179 | Francis Poulenc, Nash Ensemble | E Minor | 0 | 9A | 87 BPM | ||
5 Préludes, Op. 16: No. 4 in E-Flat Minor (Arr. A. Segovia for Guitar) | Alexander Scriabin, Andrés Segovia | E Minor | 0 | 9A | 94 BPM |
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