L'italiana in Algeri - Edizione critica della partitura, edita dalla Fond. Rossini di Pesaro, in coll. c.la G.Ricordi..., a cura di Azio Corghi: Languir per una bella
Gioachino Rossini, Juan Diego Flórez, Orchestra Sinfonica di Milano Giuseppe Verdi, Carlo Rizzi
Juan Diego Florez: Great Tenor Arias (with bonus track "Malinconia" - recorded Live in Recital)
7:40 January 1, 2004
BPM
119
Key
C Minor
Camelot
5A

Embed

Share Link

L'italiana in Algeri - Edizione critica della partitura, edita dalla Fond. Rossini di Pesaro, in coll. c.la G.Ricordi..., a cura di Azio Corghi: Languir per una bella - Gioachino Rossini, Juan Diego Flórez, Orchestra Sinfonica di Milano Giuseppe Verdi, Carlo Rizzi Information

Acousticness
96%
Danceability
34%
Energy
12%
Instrumentalness
0%
Liveness
12%
Loudness
73%
Speechiness
4%
Valence
12%
Popularity
Loudness
-16.147 dB

Summary

"L'italiana in Algeri - Edizione critica della partitura, edita dalla Fond. Rossini di Pesaro, in coll. c.la G.Ricordi..., a cura di Azio Corghi: Languir per una bella" by Gioachino Rossini, Juan Diego Flórez, Orchestra Sinfonica di Milano Giuseppe Verdi, Carlo Rizzi was released on January 1, 2004. Since L'italiana in Algeri - Edizione critica della partitura, edita dalla Fond. Rossini di Pesaro, in coll. c.la G.Ricordi..., a cura di Azio Corghi: Languir per una bella is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Juan Diego Flórez, Orchestra Sinfonica di Milano Giuseppe Verdi, Carlo Rizzi's "Juan Diego Florez: Great Tenor Arias (with bonus track "Malinconia" - recorded Live in Recital)" album is number 6 out of 11. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, L'italiana in Algeri - Edizione critica della partitura, edita dalla Fond. Rossini di Pesaro, in coll. c.la G.Ricordi..., a cura di Azio Corghi: Languir per una bella is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

L'italiana in Algeri - Edizione critica della partitura, edita dalla Fond. Rossini di Pesaro, in coll. c.la G.Ricordi..., a cura di Azio Corghi: Languir per una bella BPM

We consider the tempo marking of L'italiana in Algeri - Edizione critica della partitura, edita dalla Fond. Rossini di Pesaro, in coll. c.la G.Ricordi..., a cura di Azio Corghi: Languir per una bella by Gioachino Rossini, Juan Diego Flórez, Orchestra Sinfonica di Milano Giuseppe Verdi, Carlo Rizzi to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

L'italiana in Algeri - Edizione critica della partitura, edita dalla Fond. Rossini di Pesaro, in coll. c.la G.Ricordi..., a cura di Azio Corghi: Languir per una bella Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Carmen, Act III: Entr'acte by Georges Bizet, Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De ToulouseCarmen, Act III: Entr'acteGeorges Bizet, Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De ToulouseD Minor17A113 BPM
Les contes d'Hoffmann: Les oiseaux dans la charmille by Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert ReimerLes contes d'Hoffmann: Les oiseaux dans la charmilleJacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert ReimerA♭ Major14B86 BPM
Adriana Lecouvreur / Act 1: Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella"Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio PappanoA♭ Major14B82 BPM
Symphony No. 3 in C Minor, Op. 78 Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegroCamille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles DutoitG Major39B150 BPM
Stabat Mater: 6. Sancta Mater istud agas by Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria GiuliniStabat Mater: 6. Sancta Mater istud agasGioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria GiuliniA♭ Major14B71 BPM
Le Carnaval des Animaux: Finale by Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl BöhmLe Carnaval des Animaux: FinaleCamille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl BöhmD Minor37A101 BPM
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights by Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo ChaillyIl Barbiere di Siviglia: Act I: Piano, pianissimo - HighlightsGioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo ChaillyC Major38B127 BPM
Samson et Dalila, Op. 47, R. 288 / Act 2: Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix"Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka JánosE♭ Major25B89 BPM
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso by Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír VálekSpanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitosoNikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír VálekB♭ Major26B133 BPM
Symphony No. 6 in F Major, Op. 68 Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. AllegrettoLudwig van Beethoven, Wiener Philharmoniker, Karl BöhmF Major17B120 BPM
ISRC
GBBBA0344160
Label
L-M Records/RCA Records

Section: 0.6814296245574951

End: 0.6874163150787354