Peter Maxwell Davies, Melos Ensemble, John Carewe made "Maxwell Davies: Leopardi Fragments, Cantata, Op. 18: "Stridore notturno" (Soprano, Contralto) -" available on February 21, 2011. With Maxwell Davies: Leopardi Fragments, Cantata, Op. 18: "Stridore notturno" (Soprano, Contralto) - being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Melos Ensemble's "Icon: Melos Ensemble" album is number 18 out of 151. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Maxwell Davies: Leopardi Fragments, Cantata, Op. 18: "Stridore notturno" (Soprano, Contralto) -'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Maxwell Davies: Leopardi Fragments, Cantata, Op. 18: "Stridore notturno" (Soprano, Contralto) - by Peter Maxwell Davies, Melos Ensemble, John Carewe to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | ||
Florida Suite: IV. At Night | Frederick Delius, Ulster Orchestra, Vernon Handley | F♯ Minor | 0 | 11A | 68 BPM | ||
Mr Emmet Takes a Walk, Op. 207: No. 3, Arioso | Peter Maxwell Davies, Psappha, Etienne Siebens, Adrian Clarke, Jonathan Best, Rebecca Caine | D♭ Major | 1 | 3B | 70 BPM | ||
Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Minor | 0 | 4A | 83 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
Ave Verum Corpus, K. 618 | Wolfgang Amadeus Mozart, Christian-Pierre La Marca, Patricia Petibon, Thierry Escaich | F Major | 1 | 7B | 83 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
Cancion de cuna | Leo Brouwer, Vicente Coves | G Major | 0 | 9B | 67 BPM | ||
V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM |
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