"Florida Suite: IV. At Night" by Frederick Delius, Ulster Orchestra, Vernon Handley was released on July 1, 1984. Since Florida Suite: IV. At Night is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 10 in Delius: Florida Suite / North Country Sketches / On Hearing the First Cuckoo in Spring by Frederick Delius, Vernon Handley. Florida Suite: IV. At Night is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Florida Suite: IV. At Night by Frederick Delius, Ulster Orchestra, Vernon Handley is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 4, Forlana. Allegretto grazioso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F♯ Major | 1 | 2B | 96 BPM | ||
牧神の午後への前奏曲(『ニジンスキー』より) | ベオグラード・フィルハーモニー管弦楽団, イーゴル・マルケヴィッチ | B Major | 3 | 1B | 131 BPM | ||
Pastorale, Op. 50 (Version for Orchestra): III. Evening | Selim Palmgren, Pori Sinfonietta, Jan Söderblom | E♭ Major | 0 | 5B | 88 BPM | ||
Heavenly Romanticism | Béla Bartók, Klára Würtz, Janacek Philharmonic Orchestra, Theodore Kuchar | F Major | 0 | 7B | 96 BPM | ||
Concert Jig | Ernest Tomlinson, Vernon Handley, BBC Concert Orchestra, Martin Loveday | G Minor | 2 | 6A | 102 BPM | ||
Elegy, Op. 58 | Edward Elgar, English Northern Philharmonia, David Lloyd-Jones | F Minor | 0 | 4A | 84 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Berceuse, Op. 57 | Frédéric Chopin, Kathryn Stott | B Major | 6 | 1B | 212 BPM | ||
Vaughan Williams: The Lark Ascending: Opening (Excerpt) | Ralph Vaughan Williams, Sir Adrian Boult, New Philharmonia Orchestra | B Minor | 1 | 10A | 102 BPM |
Section: 0.8493499755859375
End: 0.8778374195098877