"Il Turco in Italia / Act 2: "Se ho da dirla avrei molto"" by Gioachino Rossini, Alessandro Corbelli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly was released on January 1, 1998. The duration of Il Turco in Italia / Act 2: "Se ho da dirla avrei molto" is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Il Turco in Italia / Act 2: "Se ho da dirla avrei molto"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 65 in the song's album "Rossini: Il Turco In Italia". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Il Turco in Italia / Act 2: "Se ho da dirla avrei molto" is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Il Turco in Italia / Act 2: "Se ho da dirla avrei molto" by Gioachino Rossini, Alessandro Corbelli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Petite messe solennelle: IV. Gloria. Gloria in excelsis Deo | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | E Minor | 6 | 9A | 108 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
String Quintet No. 6 in E Major, Op. 11, No. 5: String Quintet no.6 in E major, op.11 no.5: III. Minuetto - Trio | Luigi Boccherini, Cuarteto Casals, Eckart Runge | A Major | 0 | 11B | 126 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Galop Infernal (Can-Can) - De La Opera "Orfeo En Los Infiernos" | Jacques Offenbach, Inma Shara | D Major | 4 | 10B | 74 BPM | ||
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Introduction, Theme and Variations for Clarinet and Orchestra in E-Flat Major - Cadenza: Charles Neidich: Introduzione: Andante (sostenuto) | Gioachino Rossini, Charles Neidich, Orpheus Chamber Orchestra | B♭ Major | 0 | 6B | 135 BPM | ||
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM |
Section: 0.759610652923584
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