"St. Matthew Passion, BWV 244: St. Matthew Passion, BWV 244: Aria: Ich will dir mein Herze schenken" by Arleen Auger was released on January 1, 2000. Since St. Matthew Passion, BWV 244: St. Matthew Passion, BWV 244: Aria: Ich will dir mein Herze schenken is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 38 in Auger, Arleen: Arias by Arleen Auger. In terms of popularity, St. Matthew Passion, BWV 244: St. Matthew Passion, BWV 244: Aria: Ich will dir mein Herze schenken is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St. Matthew Passion, BWV 244: St. Matthew Passion, BWV 244: Aria: Ich will dir mein Herze schenken by Arleen Auger is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 1 | 5B | 130 BPM | ||
Hör mein Bitten, WoO 15 | Felix Mendelssohn, Julia Hamari, Ensemble '76 Stuttgart, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 2 | 5B | 101 BPM | ||
Cantares | Arleen Auger | B♭ Major | 1 | 6B | 91 BPM | ||
Requiem, Op. 48: Libera me | Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe Herreweghe | D Minor | 0 | 7A | 62 BPM | ||
Schubert: Auf dem Wasser zu singen, Op. 72, D. 774 | Franz Schubert, Arleen Auger, Lambert Orkis | B Major | 1 | 1B | 86 BPM | ||
Die Schöpfung, Hob XXI:2, Part II: Die Schöpfung, Hob XXI:2, Part II: No. 26, Vollendet ist das große Werk | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Christiane Karg, Benjamin Bruns, Tareq Nazmi, MDR Leipzig Radio Choir | B♭ Major | 1 | 6B | 116 BPM | ||
4 Lieder, Op. 36, TrV 186 (text by F.G. Klopstock): 4 Lieder, Op. 36, TrV 186: No. 1. Das Rosenband | Arleen Auger | A Major | 0 | 11B | 80 BPM | ||
Tito Manlio, RV 778, Act I: Combatta un gentil cor | Antonio Vivaldi, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 2 | 1B | 108 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Die Schöpfung, Hob. XXI:2, Erster Teil: III. Arie mit Chor "Nun schwanden vor dem heiligen Strahle" | Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Maximilian Schmitt | G Minor | 3 | 6A | 120 BPM |
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