"L'entrata di Cristo in Gerusalemme: Part I: La processione: Hosanna Filio David! Hosanna in excelsis! (Chorus, Storico, Cristo)" by Lorenzo Perosi, Gianni Puddu, Marco Camastra, Emidio Guidotti, Corale Polifonica Cento Torri, Corale Lauretana, Corale Pesarese, Marchigiana Philharmonic Orchestra, Arturo Sacchetti was released on August 1, 2013. L'entrata di Cristo in Gerusalemme: Part I: La processione: Hosanna Filio David! Hosanna in excelsis! (Chorus, Storico, Cristo) appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Perosi: L'entrata di Cristo in Gerusalemme". In this album, this song's track order is #2. L'entrata di Cristo in Gerusalemme: Part I: La processione: Hosanna Filio David! Hosanna in excelsis! (Chorus, Storico, Cristo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'entrata di Cristo in Gerusalemme: Part I: La processione: Hosanna Filio David! Hosanna in excelsis! (Chorus, Storico, Cristo) by Lorenzo Perosi, Gianni Puddu, Marco Camastra, Emidio Guidotti, Corale Polifonica Cento Torri, Corale Lauretana, Corale Pesarese, Marchigiana Philharmonic Orchestra, Arturo Sacchetti having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lille Almanak – Little Almanac 3 | Finn Mathiassen, Harald Herdal, Jens Peter Jacobsen, Musikstuderendes Kammerkor | G Minor | 0 | 6A | 75 BPM | ||
I Need Thee | Amsterdam Staff Songsters of the Salvation Army | G Major | 0 | 9B | 68 BPM | ||
Vier Lieder aus dem Jungbrunnen, Op. 44: II. Die Berge sind spitz | Johannes Brahms, Paul Heyse, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg | C Minor | 0 | 5A | 95 BPM | ||
Misatango, Misa a Buenos Aires: IV. Qui tollis | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 1 | 4A | 75 BPM | ||
Requiem: II. Psalm 23 | Herbert Howells, Hannah Holgersson, Ivonne Fuchs, Michael Axelsson, Sofia Vokalensemble, Bengt Ollen | E Minor | 2 | 9A | 81 BPM | ||
Vigilia: No. 4, Avuksihuutopsalmi | Einojuhani Rautavaara, Helsinki Chamber Choir, Nils Schweckendiek | E Major | 1 | 12B | 89 BPM | ||
Angelic Symphony | LeoRoads | A Minor | 1 | 8A | 93 BPM | ||
Mass of the Americas: I. El cantico del alba | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | C Minor | 3 | 5A | 133 BPM | ||
Te Deum: IV. Patrem immensae maiestatis | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Missa Maria Magdalena: Kyrie | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | C Minor | 2 | 5A | 84 BPM |
Section: 0.5151221752166748
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