"Lied" by Kurt Ollmann, Steven Blier, New York Festival Of Song was released on March 8, 2024. The duration of Lied is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Lied's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "NYFOS Records: The Singles, Vol. I". In this album, this song's track order is #3. Lied is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lied by Kurt Ollmann, Steven Blier, New York Festival Of Song having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Act I: No.6 Scène : Carmen! sur tes pas nous nous pressons tous! (Jeunes gens/Cigarières) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | A Minor | 0 | 8A | 125 BPM | ||
Carmen, Act IV, No.27 Duo et Choeur final: Tu m'aimes donc plus (Don José/Carmen/Choeurs) | Georges Bizet, Roberto Alagna, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F♯ Major | 3 | 2B | 86 BPM | ||
Berlioz: Les Troyens, Op. 29, H. 133, Act 5: "Adieu, fière cité" (Didon) | Hector Berlioz, John Nelson, Joyce DiDonato, Orchestre Philharmonique De Strasbourg | A♭ Major | 0 | 4B | 76 BPM | ||
Carmen, Act I: No.3 bis Récit: C'est bien là, n'est-ce pas? (Zuniga/Don José) | Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 1 | 9B | 84 BPM | ||
La fanciulla del West: Ch'ella mi creda | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | F Major | 6 | 7B | 103 BPM | ||
On The Town: 24. Finale - Live | Leonard Bernstein, Marie McLaughlin, Frederica von Stade, Thomas Hampson, Kurt Ollmann, Tyne Daly, David Garrison, London Voices, London Symphony Orchestra, Michael Tilson Thomas | F Major | 3 | 7B | 87 BPM | ||
Pie Jesu | Gareth Valentine, Kurt Ollmann, Susan Bullock, Tinuke Olafimihan, William Burden | A Minor | 2 | 8A | 85 BPM | ||
Candide / Act I: 3a. Universal Good | Leonard Bernstein, June Anderson, Della Jones, Jerry Hadley, Kurt Ollmann, London Symphony Orchestra | G Minor | 1 | 6A | 161 BPM | ||
Puccini: Tosca, Act 3 Scene 4: "Presto! Su, Mario!" (Tosca, Sciarrone, Spoletta, Chorus) | Giacomo Puccini, Maria Callas, Angelo Mercuriali, Dario Caselli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
Poème de Jade: 3. Les deux flûtes | Orchestre symphonique national de la radio polonaise, Paul Wehage, Christel Rayneau, Kurt Ollmann | D♭ Major | 1 | 3B | 146 BPM |
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