"Candide / Act I: 3a. Universal Good" by Leonard Bernstein, June Anderson, Della Jones, Jerry Hadley, Kurt Ollmann, London Symphony Orchestra was released on January 1, 1991. With Candide / Act I: 3a. Universal Good being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 5 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Candide / Act I: 3a. Universal Good is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Candide / Act I: 3a. Universal Good by Leonard Bernstein, June Anderson, Della Jones, Jerry Hadley, Kurt Ollmann, London Symphony Orchestra is Vivace (lively and fast), since this song has a tempo of 161 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus / Act II: Nr. 10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 82 BPM | ||
Puccini: La rondine, Act 3: "Senti?… anche il mare respira sommesso" (Magda, Ruggero) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Alexander Nevsky, Op. 78: II. Song About Alexander Nevsky | Sergei Prokofiev, London Symphony Orchestra, Claudio Abbado, London Symphony Chorus | B♭ Major | 0 | 6B | 97 BPM | ||
When You're Away (From The Only Girl) | Jerry Hadley | F Major | 2 | 7B | 87 BPM | ||
Mass: VIII. Epistle: "The Word of The Lord" - Live | Leonard Bernstein, Kevin Vortmann, Lyn Philistine, Devin Ilaw, Kent Overshown, Sarah Uriarte Berry, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast | E♭ Major | 1 | 5B | 167 BPM | ||
La clemenza di Tito / Act 1: "Deh se piacer mi vuol" | Wolfgang Amadeus Mozart, Della Jones, Academy of Ancient Music, Christopher Hogwood | G Major | 1 | 9B | 71 BPM | ||
Mass: Agnus Dei (Soloists of Street Chorus, Street Chorus, Celebrant, Chorus) | Leonard Bernstein, Jubilant Sykes, Asher Edward Wulfman, Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra, Marin Alsop | A Minor | 5 | 8A | 99 BPM | ||
Puccini: La Rondine, Act 3: "Ma come puoi lasciarmi" (Ruggero, Magda) | Giacomo Puccini, Roberto Alagna, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Susannah / Act 1: "Ain't it a pretty night?" | Carlisle Floyd, Renée Fleming, Metropolitan Opera Orchestra, James Levine | B Major | 1 | 1B | 80 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 2, L'istesso tempo | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, Alexander Knox, Ceri-lyn Cissone | G Minor | 1 | 6A | 78 BPM |
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