"Mei-An - Light and Darkness (2020/2021) for shō and tenor Saxophone: Mei-An - Light and Darkness (2020/2021) for shō and tenor Saxophone" by Toshio Hosokawa, Mayumi Miyata, Masanori Oishi was released on April 1, 2024. Mei-An - Light and Darkness (2020/2021) for shō and tenor Saxophone: Mei-An - Light and Darkness (2020/2021) for shō and tenor Saxophone appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Toshio Hosokawa: Light and Darkness. Works for Saxophone". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Austria. Mei-An - Light and Darkness (2020/2021) for shō and tenor Saxophone: Mei-An - Light and Darkness (2020/2021) for shō and tenor Saxophone is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mei-An - Light and Darkness (2020/2021) for shō and tenor Saxophone: Mei-An - Light and Darkness (2020/2021) for shō and tenor Saxophone by Toshio Hosokawa, Mayumi Miyata, Masanori Oishi having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Two Japanese Folk Songs - Falling Cherry Blossoms | Toshio Hosokawa, Emanuela Battigelli | F♯ Major | 0 | 2B | 77 BPM | ||
24 Caprices for Solo Violin, Op. 1: No. 13, Caprice in B Major (Allegro) "Devil's Laughter" (Arr. for Marimba) | Niccolò Paganini, Severin Blazer | B♭ Major | 2 | 6B | 136 BPM | ||
Volon | Fred Hersch | D♭ Major | 0 | 3B | 64 BPM | ||
Three Doors (II) - Concert Performance | Ümit Armağan | C Minor | 2 | 5A | 133 BPM | ||
Renka I for Soprano and guitar: I. Aki no Ta no... | Toshio Hosokawa, Eiko Hiramatsu, Tatsuo Tabei | B Minor | 0 | 10A | 75 BPM | ||
Saxophone Quartet B Major, Op. 109: I. Allegro | Alexander Glazunov, Signum Saxophone Quartet | F Major | 5 | 7B | 141 BPM | ||
Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): III. A song of love | Toru Takemitsu, Kotaro Fukuma | G Major | 0 | 9B | 0 BPM | ||
Concerto for Violin & Percussion Orchestra: III. Allegro, vigoroso, poco presto | Lou Harrison, Nicholas Kitchen, New England Conservatory Percussion Ensemble, Frank Epstein, Will McVay, Sean Van Winkle, Nathan Vendel, Luis Herrera Albertazi, Harrison Honor | B Minor | 4 | 10A | 151 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Constantinople | A Minor | 0 | 8A | 104 BPM |
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