"Renka I for Soprano and guitar: I. Aki no Ta no..." by Toshio Hosokawa, Eiko Hiramatsu, Tatsuo Tabei was released on October 1, 2010. With this song being about 5 minutes long, at 4:33, "Renka I for Soprano and guitar: I. Aki no Ta no..." by Toshio Hosokawa, Eiko Hiramatsu, Tatsuo Tabei is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Toshio Hosokawa, Eiko Hiramatsu, Tatsuo Tabei, EnsembleStern, Seitaro Ishikawa's "Hosokawa: Renka" album is number 1 out of 14. On top of that, Japan appears to be the country where this track was created. Renka I for Soprano and guitar: I. Aki no Ta no... is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Renka I for Soprano and guitar: I. Aki no Ta no... by Toshio Hosokawa, Eiko Hiramatsu, Tatsuo Tabei to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aeon | Fred Hersch | G Minor | 0 | 6A | 67 BPM | ||
Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 1. Leicht zart | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | B♭ Minor | 0 | 3A | 90 BPM | ||
Elternabend | Marvin Miller | C Major | 3 | 8B | 82 BPM | ||
Piano & Violoncello 6 | Irena And Vojtech Havlovi | G Minor | 1 | 6A | 65 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: IV | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Monograph IV | Rebecca Kite | D Minor | 0 | 7A | 127 BPM | ||
Wedding Preparation | Balanescu Quartet | F Major | 3 | 7B | 100 BPM | ||
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | G Major | 2 | 9B | 85 BPM | ||
Black Sorrow | Christian Lindberg, Símon Bolívar Symphony Orchestra | F♯ Minor | 1 | 11A | 65 BPM | ||
Hosokawa: 2 Japanese Folksongs: II. Itsuki no komori uta | Toshio Hosokawa, Emmanuel Pahud, Christian Rivet | G Minor | 0 | 6A | 108 BPM |
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