"5 Sanger av Bo Bergman, Op. 20: IV. Mansken (Moonlight)" by Wilhelm Stenhammar, Peter Mattei, Bengt-Åke Lundin was released on November 30, 1994. The duration of 5 Sanger av Bo Bergman, Op. 20: IV. Mansken (Moonlight) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. 5 Sanger av Bo Bergman, Op. 20: IV. Mansken (Moonlight)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Stenhammar: Songs, Opp. 7, 8, 16, 20, and 26". In this album, this song's track order is #20. 5 Sanger av Bo Bergman, Op. 20: IV. Mansken (Moonlight) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Sanger av Bo Bergman, Op. 20: IV. Mansken (Moonlight) by Wilhelm Stenhammar, Peter Mattei, Bengt-Åke Lundin having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sea Pictures, Op. 37: No. 1, Sea Slumber-Song | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Minor | 3 | 5A | 133 BPM | ||
Sensommarnätter (Late Summer Nights) op.33: V. Poco Allegretto | Wilhelm Stenhammar, Staffan Scheja | F♯ Major | 0 | 2B | 70 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | G Major | 0 | 9B | 88 BPM | ||
Requiem, Op. 48: III. Offertoire | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | D Major | 0 | 10B | 77 BPM | ||
Petite messe solennelle: I. Kyrie. Kyrie eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | C Major | 0 | 8B | 116 BPM | ||
To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Piano Quartet in E Flat Major, Op.47: Piano Quartet in E Flat Major, Op.47: III. Andante cantabile | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | B♭ Major | 0 | 6B | 74 BPM | ||
2 Swedish Folk-Melodies, Op. 27: No. 2 Du gamla, du friska, du fjellhoga Nord: Moderato | Johan Svendsen, Bournemouth Sinfonietta, Richard Studt | C Major | 1 | 8B | 63 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM |
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