"Tres Pichintunes, Op. 97: Pichintún 2" by Hernán Ramírez, Luis Orlandini had its release date on July 23, 2009. With This song being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 22 in Bicentenario de la Guitarra Chilena Vol.1 by Luis Orlandini. Based on our statistics, Tres Pichintunes, Op. 97: Pichintún 2's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tres Pichintunes, Op. 97: Pichintún 2 by Hernán Ramírez, Luis Orlandini is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Daphénéo | Erik Satie, Alexandre Tharaud, Jean Delescluse | D Major | 0 | 10B | 106 BPM | ||
Dowland / Transcr. Garcia: A Musicall Banquet: No. 3, In Darkness Let Me Dwell | John Dowland, Philippe Jaroussky, Thibaut García | G Minor | 0 | 6A | 59 BPM | ||
Adagio for Mandolin and Harpsichord in E Flat Major, WoO 43b (Transcr. for Mandolin and Harp) | Ludwig van Beethoven, Avi Avital, Anneleen Lenaerts | E♭ Major | 0 | 5B | 80 BPM | ||
Sechs deutsche Lieder, Opus 25: Nr. 6 Das Schiffermädchen (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | E Major | 1 | 12B | 83 BPM | ||
Concerto Tomo, RV 104: I. Allegro | Antonio Vivaldi, The English Guitar Quartet | D Major | 2 | 10B | 96 BPM | ||
Villa-Lobos: Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar) | Heitor Villa-Lobos, Liat Cohen, Natalie Dessay | A Minor | 0 | 8A | 70 BPM | ||
Ik Zag Een Nieuwe Hemel Zich Verheffen | Rianne van Roon | D Minor | 1 | 7A | 93 BPM | ||
Duerme negrito | Quito Gato, Traditional, Christina Pluhar | C Major | 2 | 8B | 118 BPM | ||
Sonata For Violin And Continuo II: Imitazione del Liuto. Presto | Johann Paul Von Westhoff, Daniel Hope, Stefan Maass, Stefan Rath | C Major | 0 | 8B | 105 BPM | ||
Prolog | Änglagård | D Minor | 0 | 7A | 79 BPM |