"Symphony No.5 In C Minor Op.67 - 1st Movement" by Berlin Symphonic Orchestra was released on May 1, 2010. The duration of Symphony No.5 In C Minor Op.67 - 1st Movement is about 3 minutes long, at 3:09. Based on our data, "Symphony No.5 In C Minor Op.67 - 1st Movement" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of World Classical 2010 by Various Artists. The song's track number on the album is #28 out of 100 tracks. Symphony No.5 In C Minor Op.67 - 1st Movement is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony No.5 In C Minor Op.67 - 1st Movement by Berlin Symphonic Orchestra has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Symphony No.5 In C Minor Op.67 - 1st Movement being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Scènes pittoresques, Orchestersuite in 4 Sätzen: Marche | Slovak Philharmonic, Alberto Lizzio | D Major | 1 | 10B | 128 BPM | ||
Sedate Sonata | Bonn Classical Philharmonic | D Minor | 0 | 7A | 75 BPM | ||
Symphony Fantastique in C Major, Op 14: II. Un Bal - Allegro non troppo | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | D Major | 4 | 10B | 125 BPM | ||
Kanon Galop (1853) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 4 | 12B | 150 BPM | ||
Nimrod | Edward Elgar, Czech Philharmonic, Leopold Stokowski | F Major | 2 | 7B | 117 BPM | ||
Tosca (arr. for orchestra): Tosca, Act II: Vissi d'arte (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | E♭ Major | 0 | 5B | 83 BPM | ||
Slavonic Dances, Series I, Op. 46, B. 83: No. 1, Furiant. Presto | Antonín Dvořák, Czech Philharmonic, Zdeněk Košler | C Major | 2 | 8B | 129 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 160 BPM | ||
Espada Suite: I. Panaderos | Jules Massenet, Royal Scottish National Orchestra, Jean-Luc Tingaud | G Major | 1 | 9B | 108 BPM | ||
Ballszene | Joseph Hellmesberger, Sr., Göttingen Symphony Orchestra, Christian Simonis | B Major | 3 | 1B | 98 BPM |
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