"3 Carols, Op. 25: No. 3, Sleep, Holy Babe" by Kenneth Leighton, Londinium, Andrew Griffiths was released on May 19, 2023. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 16 in Every Living Creature by Kenneth Leighton, Londinium, Andrew Griffiths. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 3 Carols, Op. 25: No. 3, Sleep, Holy Babe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Carols, Op. 25: No. 3, Sleep, Holy Babe by Kenneth Leighton, Londinium, Andrew Griffiths is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hymn: Llanfair "Welsh Hymn Melody" | 19th Century Welsh, St. Thomas Choir Of Men And Boys, Gerre Hancock | G Major | 2 | 9B | 58 BPM | ||
4 Songs of Love: No. 2, Until the Daybreak | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | F Minor | 0 | 4A | 74 BPM | ||
Cello Sonata, Op. 52: II. Toccata & Cradle Song | Kenneth Leighton, Raphael Wallfisch | F♯ Minor | 1 | 11A | 65 BPM | ||
St. John Passion, Part I: Sing, My Tongue, the Glorious Battle | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Chaconne Brass, Wells Cathedral Choir, Matthew Owens | C Minor | 4 | 5A | 163 BPM | ||
Lord, Let Me Love You More and More | Christopher Walker | C Major | 1 | 8B | 137 BPM | ||
Missa Pontificalis: Benedictus | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | F Major | 0 | 7B | 144 BPM | ||
When Jesus, Through Faith, Is My Savior SHZ 549 | Laestadian Lutheran Church, Viena Kontkanen, Kaitlyn Huhta, Ashley Niemela, Marianna Saulamaa, Liisa Keranen | C Minor | 2 | 5A | 94 BPM | ||
In coena Domini, MH 276: Judas mercator pessimus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Minor | 1 | 9A | 81 BPM | ||
In monte Oliveti II | Orlande de Lassus, Regensburger Domspatzen, Roland Büchner | F Major | 3 | 7B | 137 BPM | ||
Liturgy of St. John Chrysostom: No. 5, Antiphon III (The Beatitudes) | Benedict Sheehan, The Saint Tikhon Choir | D♭ Major | 2 | 3B | 129 BPM |
Section: 0.7682430744171143
End: 0.7729613780975342