"Cello Sonata, Op. 52: II. Toccata & Cradle Song" by Kenneth Leighton, Raphael Wallfisch was released on June 2, 2015. With this song being about 5 minutes long, at 5:24, "Cello Sonata, Op. 52: II. Toccata & Cradle Song" by Kenneth Leighton, Raphael Wallfisch is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Kenneth Leighton, Raphael Wallfisch, Raphael Terroni's "Leighton: Complete Chamber Works for Cello" album is number 12 out of 14. On top of that, Hong Kong appears to be the country where this track was created. Cello Sonata, Op. 52: II. Toccata & Cradle Song is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Sonata, Op. 52: II. Toccata & Cradle Song by Kenneth Leighton, Raphael Wallfisch to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Hymn of The Nativity | Kenneth Leighton, Gabrieli, Ruth Provost, Paul McCreesh | E Minor | 0 | 9A | 74 BPM | ||
Preces and Responses II | Kenneth Leighton, Choir of St Mary's Cathedral, Edinburgh, Matthew Owens | A Minor | 1 | 8A | 87 BPM | ||
Abide with me | William Henry Monk, Choir of St John's, Elora, Paul Halley | E♭ Major | 1 | 5B | 157 BPM | ||
3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) | Alfred Schnittke, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Major | 1 | 3B | 77 BPM | ||
Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 2 | 5B | 122 BPM | ||
Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
Three Sacred Hymns: II. Herr Jesus, Sohn Gottes | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | C Minor | 2 | 5A | 125 BPM | ||
Vårmorgonen | Karl-Erik Welin, Meng Hao-Jan, Storkyrkans Kör, Gustaf Sjokvist | E Minor | 0 | 9A | 76 BPM | ||
Six Moravian Choruses: IV. Parting without Sorrow | Leoš Janáček, Cappella Amsterdam, Daniel Reuss | F Minor | 0 | 4A | 111 BPM | ||
Requiem, Op. 9: III. Domine Jesu Christe | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Christophe Gautier, Henri Chalet | D Major | 0 | 10B | 67 BPM |
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