"Three Sacred Hymns: II. Herr Jesus, Sohn Gottes" by Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann was released on March 4, 2016. With Three Sacred Hymns: II. Herr Jesus, Sohn Gottes being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Schnittke: Penitential Psalms". In this album, this song's track order is #14. Furthermore, we believe that the track originated from France. Based on our statistics, Three Sacred Hymns: II. Herr Jesus, Sohn Gottes's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Three Sacred Hymns: II. Herr Jesus, Sohn Gottes by Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: Credo: Petite messe solennelle: Credo: III. Et resurrexit | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | E Major | 1 | 12B | 130 BPM | ||
Troparion: O Theotokos | Timo Ruottinen, Tampere Orthodox Choir | D Major | 1 | 10B | 135 BPM | ||
Liebeslieder-Walzer, Op. 52: No. 10, O wie sanft die Quelle sich | Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers | C Major | 0 | 8B | 177 BPM | ||
Son of God Mass: Amen | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | C Major | 2 | 8B | 88 BPM | ||
Sisask : Gloria Patri... 24 Hymns for Mixed Choir : VI Kyrie | Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann | D Major | 0 | 10B | 128 BPM | ||
Four Songs of Love: I. Let Him Kiss Me | Sven-David Sandström, South Dakota Chorale, Brian A. Schmidt | F Major | 3 | 7B | 140 BPM | ||
Six Moravian Choruses: VI. Trust | Leoš Janáček, Cappella Amsterdam, Daniel Reuss | A♭ Major | 1 | 4B | 137 BPM | ||
St. John Passion, BWV 245, Part 2: No. 40, Choral "Ach Herr, laß dein lieb Engelein" | Johann Sebastian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | D Major | 2 | 10B | 73 BPM | ||
Osculetur me: I. Osculetur me osculo oris sui | Pierre de Manchicourt, El León de Oro, Peter Phillips | C Minor | 2 | 5A | 134 BPM | ||
Four Vocal Quartets with piano, Op. 92: III. Abendlied | Johannes Brahms, RIAS Kammerchor, Marcus Creed, Alain Planès | D♭ Major | 1 | 3B | 106 BPM |
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