"Four Songs of Love: I. Let Him Kiss Me" by Sven-David Sandström, South Dakota Chorale, Brian A. Schmidt was released on February 1, 2015. The duration of Four Songs of Love: I. Let Him Kiss Me is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Four Songs of Love: I. Let Him Kiss Me's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Sacred Songs of Life & Love". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Four Songs of Love: I. Let Him Kiss Me's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Four Songs of Love: I. Let Him Kiss Me by Sven-David Sandström, South Dakota Chorale, Brian A. Schmidt having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salvete Flores | Tomas l. Victoria, Benedictines of Mary, Queen of Apostles | G Major | 1 | 9B | 104 BPM | ||
The Bread of Life: Our Father | Bob Chilcott, Wellensian Consort, Christopher Finch | A Major | 1 | 11B | 78 BPM | ||
Weihnachtslieder, Op. 8: No. 3, The Three Kings (Arr. Atkins/Park) | Peter Cornelius, Owain Park, The Gesualdo Six | G Major | 1 | 9B | 95 BPM | ||
Messiah / Pt. 3: No. 43, Behold, I Tell You a Mystery | Sven-David Sandström, Roxana Constantinescu, Festivalensemble Stuttgart, Helmuth Rilling | C Major | 0 | 8B | 101 BPM | ||
Upon Your Heart | Eleanor Daley, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E Major | 1 | 12B | 71 BPM | ||
Three Shakespeare Songs: III. Over Hill. Over Dale | Ralph Vaughan Williams, Simon Phipps, Swedish Chamber Choir | A♭ Major | 4 | 4B | 118 BPM | ||
An Old Irish Blessing | Andrew Smith, Caritas Chamber Choir, Benedict Preece, Catherine Futcher | D Major | 1 | 10B | 87 BPM | ||
Laudate Nomen | Christopher Tye, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
Mass No. 1 in G Major: Agnus Dei | Marcel Tyberg, South Dakota Chorale, Christopher Jacobson, Unknown Artist, Brian A. Schmidt | C Minor | 0 | 5A | 112 BPM | ||
We Sing Unto Thee | The Valery Rybin Male Choir | G Major | 0 | 9B | 80 BPM |
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