Ralph Vaughan Williams, Simon Phipps, Swedish Chamber Choir made "Three Shakespeare Songs: III. Over Hill. Over Dale" available on November 1, 2019. With Three Shakespeare Songs: III. Over Hill. Over Dale being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Simon Phipps, Maria Forsström, Jennifer Pike, Swedish Chamber Choir's "Like to the Lark" album is number 4 out of 15. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Three Shakespeare Songs: III. Over Hill. Over Dale is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Three Shakespeare Songs: III. Over Hill. Over Dale by Ralph Vaughan Williams, Simon Phipps, Swedish Chamber Choir to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sverige | Wilhelm Stenhammar, Sofia Vokalensemble, Bengt Ollen | A♭ Major | 0 | 4B | 135 BPM | ||
Abendliedchen | Sjaella | C Major | 1 | 8B | 68 BPM | ||
Crossing the Bar | Hubert Parry, Choir of Jesus College, Cambridge, Mark Williams | D Major | 1 | 10B | 70 BPM | ||
A Litany: Drop, Drop Slow Tears | William Walton, Choir of St. John's College, Cambridge, Christopher Robinson | C Major | 0 | 8B | 128 BPM | ||
I Heard the Voice of Jesus | Horatius Bonar, Randall DeBruyn, Ralph Vaughan Williams | E Minor | 2 | 9A | 68 BPM | ||
Awake The Harp | Southwestern Seminary Oratorio Chorus, Fort Worth Chamber Orchestra | D Major | 4 | 10B | 110 BPM | ||
3 Portraits From England Of Elizabeth: Poet | RTE Concert Orchestra, Ralph Vaughan Williams | A Minor | 0 | 8A | 87 BPM | ||
Salvation Is Created, Op. 25 No. 5 | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | D Major | 0 | 10B | 129 BPM | ||
Hark I Hear the Harps Eternal | Phoenix Chamber Choir, Alice Parker | C Major | 2 | 8B | 87 BPM | ||
Suite Nordestina: III. Bumba chora | Ronaldo Miranda, Cheng Man Wai, Cantoría Hong Kong, John Winzenburg | B♭ Minor | 1 | 3A | 76 BPM |
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