"Six Moravian Choruses: VI. Trust" by Leoš Janáček, Cappella Amsterdam, Daniel Reuss was released on January 24, 2012. The duration of Six Moravian Choruses: VI. Trust is about 3 minutes long, at 3:19. Based on our data, "Six Moravian Choruses: VI. Trust" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leoš Janáček, Cappella Amsterdam, Daniel Reuss's "Leoš Janáček: Choral Works" album is number 6 out of 31. On top of that, France appears to be the country where this track was created. Based on our statistics, Six Moravian Choruses: VI. Trust's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Six Moravian Choruses: VI. Trust by Leoš Janáček, Cappella Amsterdam, Daniel Reuss to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne in D-Flat Major, Op. 8 | Sergei Lyapunov, Elena Gaponenko | D♭ Major | 1 | 3B | 58 BPM | ||
Morceaux de Fantasie, Op.3: No.1 Elegie | Sergei Rachmaninoff, Vladimir Ashkenazy | E♭ Minor | 0 | 2A | 133 BPM | ||
Albumblatt In E Minor, Op.117, MWV U134 | Felix Mendelssohn, Daniel Barenboim | E Minor | 1 | 9A | 68 BPM | ||
III. March. Song of the Lark | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | G Minor | 0 | 6A | 135 BPM | ||
6 Bagatelles for Piano, Op. 97: Impromptu, No. 5 | Jean Sibelius, Leif Ove Andsnes | B♭ Major | 0 | 6B | 108 BPM | ||
On the Overgrown Path / Book 1: No. 7, Good Night! | Leoš Janáček, Olena Kushpler | G Major | 0 | 9B | 58 BPM | ||
Elegie in E-Flat Minor, Op. 3, No. 1 | Sergei Rachmaninoff | E♭ Minor | 1 | 2A | 68 BPM | ||
15 Pieces, Op. 3: Prelude | Gabriel Pierné, Hae Won Chang | C Minor | 0 | 5A | 83 BPM | ||
6 Songs, Op. 38: No. 3. Daisies (version for piano) | Sergei Rachmaninoff, Julia Severus | D Major | 2 | 10B | 121 BPM | ||
Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1) | Franz Liszt, Angela Hewitt | G Major | 0 | 9B | 63 BPM |
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