Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel's 'Tafelmusik - Banquet Music In 3 Parts / Production 2 - 4. Trio In E Minor: 3. Dolce' came out on January 1, 1989. The duration of Tafelmusik - Banquet Music In 3 Parts / Production 2 - 4. Trio In E Minor: 3. Dolce is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Tafelmusik - Banquet Music In 3 Parts / Production 2 - 4. Trio In E Minor: 3. Dolce's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 70 in the song's album "Telemann: Banquet Music in three Parts". In this album, this song's track order is #10. Based on our statistics, Tafelmusik - Banquet Music In 3 Parts / Production 2 - 4. Trio In E Minor: 3. Dolce's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tafelmusik - Banquet Music In 3 Parts / Production 2 - 4. Trio In E Minor: 3. Dolce by Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite Les Indes Galantes / Prologue: 3. Air pour les esclaves africains | Jean-Philippe Rameau, Orchestra Of The 18th Century, Frans Brüggen | F Minor | 2 | 4A | 95 BPM | ||
Telemann: Nouveaux quatuors "Paris Quartets", No. 6 in E Minor, TWV 43:e4: V. Distrait | Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt | E Minor | 1 | 9A | 78 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 120 BPM | ||
Concerto a cinque No. 3, Op. 7: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 5 | 11B | 110 BPM | ||
Concerto in E minor for oboe, strings and basso continuo: I. Andante | Georg Philipp Telemann, Han De Vries, Alma Musica Amsterdam, Bob van Asperen, Wouter Möller | E♭ Minor | 1 | 2A | 105 BPM | ||
Sonates sans basse: Sonata No. 5 in B Minor, TWV 40:105: Vivace | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | B♭ Minor | 0 | 3A | 165 BPM | ||
Concerto for Recorder and Bassoon in F Major, TWV 52:F1: I. Largo | Georg Philipp Telemann, Cordevento, Erik Bosgraaf, Marije van der Ende | E Major | 1 | 12B | 89 BPM | ||
Dido and Aeneas: Overture | Henry Purcell, English Baroque Soloists, John Eliot Gardiner | B Minor | 2 | 10A | 166 BPM |
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