English Chamber Orchestra, Sir Charles Mackerras made "Concerto Hv 335a - Feuerwerkskonzert Nr.2 - Allegro Ma Non Troppo" available on June 1, 1995. The duration of Concerto Hv 335a - Feuerwerkskonzert Nr.2 - Allegro Ma Non Troppo is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Concerto Hv 335a - Feuerwerkskonzert Nr.2 - Allegro Ma Non Troppo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in English Chamber Orchestra's "G. F. Händel: Orchestra Works" album is number 31 out of 32. Based on our statistics, Concerto Hv 335a - Feuerwerkskonzert Nr.2 - Allegro Ma Non Troppo's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto Hv 335a - Feuerwerkskonzert Nr.2 - Allegro Ma Non Troppo by English Chamber Orchestra, Sir Charles Mackerras to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Baile de Luis Alonso | English Chamber Orchestra | E Major | 2 | 12B | 116 BPM | ||
All the Delights of the Season - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas | A♭ Major | 1 | 4B | 64 BPM | ||
The beyondness of things | John Barry, English Chamber Orchestra | F Minor | 3 | 4A | 101 BPM | ||
La Bayadère / Act 1: No.14 Molto moderato | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | A Minor | 1 | 8A | 86 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM |
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