- BPM
- 73
- Key
- C Minor
- Camelot
- 5A
Fantasia for Euphonium and Concert Band - Gordon Jacob, North Texas Wind Symphony, Eugene Migliaro Corporon Information
- Acousticness
- 99%
- Danceability
- 24%
- Energy
- 8%
- Instrumentalness
- 94%
- Liveness
- 5%
- Loudness
- 68%
- Speechiness
- 5%
- Valence
- 12%
- Popularity
- 2%
- Loudness
- -18.917 dB
Summary
"Fantasia for Euphonium and Concert Band" by Gordon Jacob, North Texas Wind Symphony, Eugene Migliaro Corporon was released on January 1, 2008. Fantasia for Euphonium and Concert Band appears to be safe for all ages as it is not explicit. The song is number 4 out of 49 in Composer's Collection: Gordon Jacob by Gordon Jacob, Eugene Migliaro Corporon. Fantasia for Euphonium and Concert Band is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Fantasia for Euphonium and Concert Band BPM
The tempo marking of Fantasia for Euphonium and Concert Band by Gordon Jacob, North Texas Wind Symphony, Eugene Migliaro Corporon is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Fantasia for Euphonium and Concert Band Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rondo | Henry Purcell, Canadian Brass | D Minor | 0 | 7A | 77 BPM | |
 | Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | |
 | Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM | |
 | Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | |
 | Symfonietta, JW VI/18: I. Allegretto | Leoš Janáček, Prague Radio Symphony Orchestra, Tomáš Netopil | D♭ Major | 3 | 3B | 62 BPM | |
 | La Mer, L.109: 2. Play Of The Waves | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 114 BPM | |
 | L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | |
 | Numero de avogadro | Juan Pablo Fernández Ramos | A Minor | 1 | 8A | 99 BPM | |
 | Sonatina for Treble Recorder and Harpsichord: II. Tempo di menuetto | Gordon Jacob, Michala Petri | F Major | 0 | 7B | 112 BPM | |
 | Suite for Bassoon and String Quartet: I. Prelude | Gordon Jacob, Gabriel Beavers, Espen Lilleslatten, Lin He, Matthew Daline, Dennis Parker | E Minor | 7 | 9A | 122 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9273841381072998
End: 0.9338908195495605