"Fantasie Impromptu, Op. 66, in C-Sharp Minor - Triphonola T-50091" by Frédéric Chopin, Wilhelm Backhaus, Peter Phillips was released on February 21, 2024. With this song being about 5 minutes long, at 4:31, "Fantasie Impromptu, Op. 66, in C-Sharp Minor - Triphonola T-50091" by Frédéric Chopin, Wilhelm Backhaus, Peter Phillips is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Peter Phillips, Suzanne Godenne's "Jeux D'eau. Piano Evocations from the Golden Age" album is number 19 out of 21. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Fantasie Impromptu, Op. 66, in C-Sharp Minor - Triphonola T-50091 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fantasie Impromptu, Op. 66, in C-Sharp Minor - Triphonola T-50091 by Frédéric Chopin, Wilhelm Backhaus, Peter Phillips to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse Mignonne, Op. 104 in E-Flat Major - Welte-Mignon 803 | Camille Saint-Saëns, Peter Phillips | E♭ Major | 1 | 5B | 71 BPM | ||
Nocturne, Op. 9, No. 2 | Frédéric Chopin, Anna Miernik | B♭ Major | 0 | 6B | 62 BPM | ||
Fantasie in F Minor, D. 940, Op. 103: IV. Finale. Allegro molto moderato | Franz Schubert, Pavel Kolesnikov, Samson Tsoy | D♭ Minor | 0 | 12A | 77 BPM | ||
(Ré)inventio: No. 12 in A Major [After J.S. Bach's BWV 783] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | C Major | 4 | 8B | 130 BPM | ||
Notturno in F major Op.6 No.2: Notturno in F major Op.6 No.2 | Clara Schumann, William Howard | F Major | 0 | 7B | 71 BPM | ||
Arabesque No. 2 in G Major - Duo-Art 5808 | Claude Debussy, Peter Phillips, Paquita Madriguera | A Minor | 2 | 8A | 125 BPM | ||
Samson Et Dalila: My Heart at Thy Sweet Voice - Welte-Mignon 2260 | Camille Saint-Saëns, Peter Phillips, Richard Epstein | G Major | 1 | 9B | 63 BPM | ||
8 Nocturnes, Op. 368: No. 5, Allegretto grazioso e con anima | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | ||
Spanish Romance, Op. 74 - The Smuggler (Arr. For Solo Piano by Carl Tausig) - Duo-Art 7072 | Robert Schumann, Josef Hofmann, Peter Phillips | D Minor | 3 | 7A | 79 BPM | ||
Variazioni di bravura on a Theme by Rossini: Theme – | Cipriani Potter, Howard Shelley, Tasmanian Symphony Orchestra | D Major | 1 | 10B | 137 BPM |
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