"Arabesque No. 2 in G Major - Duo-Art 5808" by Claude Debussy, Peter Phillips, Paquita Madriguera was released on November 10, 2023. The duration of Arabesque No. 2 in G Major - Duo-Art 5808 is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Arabesque No. 2 in G Major - Duo-Art 5808's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Printemps. Piano Evocations from the Golden Age". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Based on our statistics, Arabesque No. 2 in G Major - Duo-Art 5808's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Arabesque No. 2 in G Major - Duo-Art 5808 by Claude Debussy, Peter Phillips, Paquita Madriguera having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 9 in B Minor, Op. 97 | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM | ||
32 Variations in C Minor, WoO 80: Var. 17-22 | Ludwig van Beethoven, Angela Hewitt | C Major | 2 | 8B | 114 BPM | ||
Romances, Op. 21: No. 12, 'How Painful for Me' (Arr. For Solo Piano by A.Schaefer) | Sergei Rachmaninoff, Irene Cantos | E♭ Major | 0 | 5B | 74 BPM | ||
3 Pieces, Op. 45: No. 1, Feuillet D'album | Alexander Scriabin, Juan Francisco Otón | G Minor | 0 | 6A | 59 BPM | ||
Sérénade, Op. 7 - Welte-Mignon 3558 | Gabriel Pierné, Peter Phillips, Laura Danziger | A♭ Major | 1 | 4B | 109 BPM | ||
Rondo Capriccioso, Op. 14 - Triphonola 50288 | Felix Mendelssohn, Max Pauer, Peter Phillips | E Major | 2 | 12B | 60 BPM | ||
Ballades, Op. 10: Ballade No. 1, "Edward" in D Minor - Duo-Art 5931 | Johannes Brahms, Peter Phillips, Lester Donahue | C Major | 0 | 8B | 68 BPM | ||
Etudes, Op. 10: No. 6 in E♭ Minor, 'Lament' - Duo-Art 7287 | Frédéric Chopin, Peter Phillips, Vladimir Horowitz | B Major | 2 | 1B | 99 BPM | ||
Shostakovich: 3 Fantastic Dances, Op. 5: I. Allegretto | Dmitri Shostakovich, Cristina Ortiz | B♭ Minor | 0 | 3A | 127 BPM | ||
Samson Et Dalila: Finale to Act I (Arr. Solo Piano by Saint-Saëns) - Welte-Mignon 797 | Camille Saint-Saëns, Peter Phillips | E♭ Major | 1 | 5B | 71 BPM |
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