"Fantasie in F Minor, D. 940, Op. 103: IV. Finale. Allegro molto moderato" by Franz Schubert, Pavel Kolesnikov, Samson Tsoy was released on May 10, 2024. Fantasie in F Minor, D. 940, Op. 103: IV. Finale. Allegro molto moderato is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. Since Schubert: Fantasie in F Minor, D. 940, Op. 103 : IV. Finale. Allegro molto moderato only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from France. Fantasie in F Minor, D. 940, Op. 103: IV. Finale. Allegro molto moderato is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Fantasie in F Minor, D. 940, Op. 103: IV. Finale. Allegro molto moderato by Franz Schubert, Pavel Kolesnikov, Samson Tsoy having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rapsodia Mexicana | Jesús Corona, Argentina Durán | G Major | 3 | 9B | 94 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso - III. Allegro vivace (Excerpt) | Robert Schumann, Jenő Jandó, Budapest Symphony Orchestra, András Ligeti | B Minor | 3 | 10A | 128 BPM | ||
Danse Negre, Op. 58, No.5 - Duo-Art 5796 | Cyril Scott, Peter Phillips, Carolyne Cone Baldwin | A♭ Major | 1 | 4B | 67 BPM | ||
Variations on a Theme of Chopin, Op. 22: Variations 14 - 15 | Sergei Rachmaninoff, Park Eun Shik | B Major | 0 | 1B | 88 BPM | ||
Études d'exécution transcendante, S. 139: No. 1, Prélude (Presto) | Franz Liszt, Francesco Piemontesi | A Major | 1 | 11B | 139 BPM | ||
Bizet: Jeux d'enfants, Op. 22, WD 56: No. 12, Le bal | Georges Bizet, Alexandre Tharaud, Martin James Bartlett | B♭ Major | 2 | 6B | 120 BPM | ||
Variations No. VII, Paganini, Liszt: La Campanella | Aprelstein | C Minor | 0 | 5A | 166 BPM | ||
Barbie Girl - Schubert | Josep Castanyer Alonso | F♯ Minor | 2 | 11A | 184 BPM | ||
Sølvbryllupsmarch | Signe Lund, Rune Alver | B♭ Major | 0 | 6B | 70 BPM | ||
Dvořák: Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor, Allegretto grazioso | Antonín Dvořák, Alexandre Tharaud, Mariam Batsashvili | B Major | 0 | 1B | 95 BPM |
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