"5 Motets: No. 2. O vos omnes" by Pablo Ortiz, Sospiri, Christopher Watson was released on April 2, 2013. With 5 Motets: No. 2. O vos omnes being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "The Lost City: Lamentations Through the Ages". In this album, this song's track order is #8. 5 Motets: No. 2. O vos omnes is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Motets: No. 2. O vos omnes by Pablo Ortiz, Sospiri, Christopher Watson having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im Licht | Friedrich Cerha, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 1 | 11A | 141 BPM | ||
Audivi Vocem | The Schola Cantorum of St. John XXIII Parish | E Minor | 3 | 9A | 79 BPM | ||
The Mass: Kyrie | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
Ave Maria…virgo serena à 4 | Josquin des Prez, Cut Circle, Jesse Rodin | F♯ Major | 2 | 2B | 133 BPM | ||
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
Four Songs of Love: IV. His Left Hand | Sven-David Sandström, South Dakota Chorale, Brian A. Schmidt | A Minor | 0 | 8A | 69 BPM | ||
Misa a Buenos Aires "Misatango": Benedictus | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | G Major | 1 | 9B | 89 BPM | ||
Suite Teatro Martín Fierro: Número Doce | Nuntempe Ensamble, Pablo Ortiz | C Major | 0 | 8B | 77 BPM | ||
Thus the Ever Grateful Spring (Spring) | Henry Purcell, Sjaella | B♭ Minor | 1 | 3A | 69 BPM | ||
Palestrina: Assumpta Est Maria in Caelum - 6. Quia Hodie Maria Virgo Cum Christo 2 | The Tallis Scholars, Peter Phillips | F♯ Minor | 2 | 11A | 78 BPM |
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