On November 18, 2002, the song "Die Souberette, Op. 109: Polka Schnell" was released by Josef Strauss, Slovak State Philharmonic Orchestra, Kosice. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Josef Strauss's "Josef Strauss: Edition - Vol. 25" album is number 11 out of 11. Based on our statistics, Die Souberette, Op. 109: Polka Schnell's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Die Souberette, Op. 109: Polka Schnell by Josef Strauss, Slovak State Philharmonic Orchestra, Kosice to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Bat, Overture (Die Fledermaus) | Ljubljana Symphony Orchestra, Anton Nanut | D Major | 2 | 10B | 85 BPM | ||
Offenbach: La Grande-Duchesse de Gérolstein, Act 1: Overture | Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski, Les Musiciens du Louvre.Grenoble | C Major | 1 | 8B | 145 BPM | ||
Le siège de Corinthe: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 98 BPM | ||
Carissima | Edward Elgar, New Zealand Symphony Orchestra, James Judd | E Minor | 2 | 9A | 87 BPM | ||
(Berlin) Vauxhall Polka (1867) | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 2 | 10B | 95 BPM | ||
Neva Polka, Op. 288 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | E♭ Major | 4 | 5B | 80 BPM | ||
En Sommernat På Møns Klint, Fantasi (1843) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 3 | 12B | 148 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM |