Hans Christian Lumbye, Tivoli Symphony Orchestra's '(Berlin) Vauxhall Polka (1867)' came out on December 10, 1997. The duration of (Berlin) Vauxhall Polka (1867) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. (Berlin) Vauxhall Polka (1867)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hans Christian Lumbye's "Lumbye: Complete Orchestral Works, Vol. 1" album is number 3 out of 16. In terms of popularity, (Berlin) Vauxhall Polka (1867) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of (Berlin) Vauxhall Polka (1867) by Hans Christian Lumbye, Tivoli Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
Giselle: Act II: Allegro moderato: Coda | Adolphe Adam, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 134 BPM | ||
Capriccio espagnol, Op. 34: Fandango asturiano | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith Clark | A Minor | 2 | 8A | 92 BPM | ||
Raymonda, Act III: Coda | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | G Major | 1 | 9B | 104 BPM | ||
Slavonic Dances, Series I., Op. 46, B. 83: VIII. in G minor. Presto | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
Far from Denmark, "Costume ball aboard Ship": Act II: Reel | Hans Christian Lumbye, Joseph Glæser, Andreas Frederik Lincke, David Strong, Aalborg Symphony Orchestra, Peter Ernst Lassen | D Major | 1 | 10B | 129 BPM | ||
41 Klavierstücke, Op. 93: No. 22 Andante | The Gerst Ensemble | D Major | 0 | 10B | 77 BPM | ||
Achmet und Zenide, Act IV: Marsch | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 2 | 6B | 108 BPM | ||
The Wand of Youth, Suite No. 1, Op. 1a: II. Serenade - 2023 Remastered Version | Edward Elgar, Sir Adrian Boult, London Philharmonic Orchestra | G Major | 3 | 9B | 75 BPM | ||
Berlioz: La Damnation de Faust, Op. 24, H 111, Pt. 3: Menuet des follets | Hector Berlioz, Sir John Barbirolli, Hallé | A Major | 1 | 11B | 86 BPM |
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