Pyotr Ilyich Tchaikovsky, State Academic Symphony Orchestra of Russia "Evgeny Svetlanov", Vladimir Jurowski's 'Swan Lake, Op. 20, TH 12, Act II (1877 Version): No. 13c, Danses des cygnes. III. Tempo di valse' came out on October 19, 2018. The duration of Swan Lake, Op. 20, TH 12, Act II (1877 Version): No. 13c, Danses des cygnes. III. Tempo di valse is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Swan Lake, Op. 20, TH 12, Act II (1877 Version): No. 13c, Danses des cygnes. III. Tempo di valse's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 51 in the song's album "Tchaikovsky: Swan Lake, Op. 22, TH 12 (1877 Version)". In this album, this song's track order is #24. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Swan Lake, Op. 20, TH 12, Act II (1877 Version): No. 13c, Danses des cygnes. III. Tempo di valse's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op. 20, TH 12, Act II (1877 Version): No. 13c, Danses des cygnes. III. Tempo di valse by Pyotr Ilyich Tchaikovsky, State Academic Symphony Orchestra of Russia "Evgeny Svetlanov", Vladimir Jurowski having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Solfeggietto in C Minor, H. 220 | Carl Philipp Emanuel Bach, Cyprien Katsaris | F Minor | 1 | 4A | 105 BPM | ||
Solfeggio, H. 220 | Carl Philipp Emanuel Bach, Rebecca Chambers | C Minor | 2 | 5A | 125 BPM | ||
Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | B Major | 4 | 1B | 113 BPM |
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