On 1900, the song "Purcell / Arr. Pluhar: Timon of Athens, Z. 632: Curtain Tune on a Ground" was released by Henry Purcell, Christina Pluhar, L'Arpeggiata. The duration of Purcell / Arr. Pluhar: Timon of Athens, Z. 632: Curtain Tune on a Ground is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Purcell / Arr. Pluhar: Timon of Athens, Z. 632: Curtain Tune on a Ground's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Henry Purcell, Christina Pluhar's "Music for a While - Improvisations on Purcell" album is number 16 out of 17. Based on our statistics, Purcell / Arr. Pluhar: Timon of Athens, Z. 632: Curtain Tune on a Ground's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Purcell / Arr. Pluhar: Timon of Athens, Z. 632: Curtain Tune on a Ground by Henry Purcell, Christina Pluhar, L'Arpeggiata to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel / Arr Pluhar: Piangerò la sorte mia (Aria di Cleopatra, from Giulio Cesare in Egitto HWV 17) | George Frideric Handel, Christina Pluhar, Núria Rial, L'Arpeggiata | D Major | 1 | 10B | 79 BPM | ||
Sfessania | Traditional, Christina Pluhar, L'Arpeggiata | G Major | 4 | 9B | 159 BPM | ||
Isla Sacá (Polca) | Anon, Christina Pluhar | G Major | 2 | 9B | 123 BPM | ||
Night Train to Odessa | Jens-Uwe Popp, David Orlowsky Trio | B Minor | 3 | 10A | 83 BPM | ||
6 Roumanian Folk Dances, BB 68, Sz. 56: III. Stamping Dance | Béla Bartók, Hélène Grimaud | B Minor | 0 | 10A | 91 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM | ||
Foliandalus | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | G Minor | 1 | 6A | 113 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) | Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 3 | 11A | 118 BPM |
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