"Isla Sacá (Polca)" by Anon, Christina Pluhar was released on January 16, 2012. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Christina Pluhar's "Los Pajaros Perdidos" album is number 7 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Isla Sacá (Polca)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Isla Sacá (Polca) by Anon, Christina Pluhar to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
María Santísima de Araceli | Alberto Iglesias | A Minor | 1 | 8A | 136 BPM | ||
Cohen: Hallelujah | Leonard Cohen, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto | G Major | 1 | 9B | 178 BPM | ||
Toccata di tutti musici | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Marie Gelis, Alvaro Garrido | D Minor | 2 | 7A | 113 BPM | ||
Tarantella calabrese | Traditional, L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley | G Major | 3 | 9B | 131 BPM | ||
Rappresentatione di Anima, et di Corpo, Atto secondo, Intermedio: Capriccio | Johann Vierdanck, L'Arpeggiata, Christina Pluhar | D Minor | 2 | 7A | 83 BPM | ||
Canción y danza | Federico Mompou, Anja Lechner, François Couturier | E♭ Minor | 0 | 2A | 79 BPM | ||
Pa Seç ja Thotë Qyqja | Anon | F Minor | 2 | 4A | 115 BPM | ||
Silk Rondeau (For Maite) | Judith Steenbrink, Wu Wei, Holland Baroque | D Major | 1 | 10B | 97 BPM | ||
3. Milonga - Máximo Diego Pujol | Miloš Karadaglić | D Minor | 1 | 7A | 128 BPM | ||
Handel: Lascia ch'io pianga (Aria di Almirena, from Rinaldo HWV 7) | George Frideric Handel, Christina Pluhar, L'Arpeggiata | F Major | 1 | 7B | 107 BPM |
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