Traditional, L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley made "Tarantella calabrese" available on 2001. The duration of Tarantella calabrese is about 3 minutes long, at 3:09. Based on our data, "Tarantella calabrese" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley's "La Tarantella: Antidotum Tarantulae (Extraits de la bande originale du film "Tous les soleils")" album is number 11 out of 17. Based on our statistics, Tarantella calabrese's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Tarantella calabrese by Traditional, L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Handel / Arr Pluhar: Sinfonia (The Arrival of the Queen of Sheba, from Solomon HWV 67) | George Frideric Handel, Christina Pluhar, L'Arpeggiata | B♭ Major | 2 | 6B | 132 BPM | ||
Erbarme Dich / Have mercy (Aria: MP 39) | Sarband | G Minor | 1 | 6A | 92 BPM | ||
Ciaccona di Paradiso e dell'Inferno | Anonymous, Christina Pluhar | F Major | 2 | 7B | 113 BPM | ||
Purcell / Arr. Pluhar: Oedipus, Z. 583: No. 2, Song. "Music for a While" | Henry Purcell, Christina Pluhar, L'Arpeggiata | F Minor | 0 | 4A | 137 BPM | ||
Rappresentatione di Anima, et di Corpo, Atto secondo: Scena sesta (Angelo Custode, Anima, Corpo, Choro) | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Núria Rial, Johannette Zomer, Marco Beasley | G Major | 1 | 9B | 162 BPM | ||
Porpora: Polifemo, HelN 31, Act 3: "Alto Giove" (Aci) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E♭ Minor | 0 | 2A | 78 BPM | ||
Moulinié: Enfin la beauté que j'adore | Étienne Moulinié, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | E Major | 1 | 12B | 119 BPM | ||
Cavalli: L'Eliogabalo: Sinfonia | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | G Minor | 1 | 6A | 98 BPM | ||
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
Fimmene | Ludovico Einaudi | D Minor | 4 | 7A | 108 BPM |
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