George Frideric Handel, Christina Pluhar, L'Arpeggiata's 'Handel: Lascia ch'io pianga (Aria di Almirena, from Rinaldo HWV 7)' came out on September 1, 2017. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Christina Pluhar's "Handel goes Wild" album is number 14 out of 15. In terms of popularity, Handel: Lascia ch'io pianga (Aria di Almirena, from Rinaldo HWV 7) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Handel: Lascia ch'io pianga (Aria di Almirena, from Rinaldo HWV 7) by George Frideric Handel, Christina Pluhar, L'Arpeggiata to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barcarolle No. 6 in E-Flat Major, Op. 70 | Gabriel Fauré, Menahem Pressler | E Minor | 6 | 9A | 134 BPM | ||
Marcello / Arr. Balsom: Oboe Concerto in C Minor: II. Adagio | Alessandro Marcello, Alison Balsom, Scottish Ensemble | C Minor | 1 | 5A | 62 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 6, HWV 324: III. Musette - Larghetto | George Frideric Handel, Nils-Erik Sparf, Tullo Galli, Kari Ottesen, Drottningholm Baroque Ensemble, Anders Öhrwall | D♭ Minor | 4 | 12A | 103 BPM | ||
Monteverdi: Madrigals, Book 7: Con che soavità, SV 139 | Claudio Monteverdi, Christina Pluhar, Núria Rial | G Major | 1 | 9B | 79 BPM | ||
Dichterliebe, Op. 48: XII. Am leuchtenden Sommermorgen (Arr. by Daniel Hope) | Robert Schumann, Daniel Hope, Jacques Ammon, Jane Berthe | B♭ Major | 0 | 6B | 64 BPM | ||
Monteverdi: Madrigals, Book 7: Interrotte speranze, SV 132 | Claudio Monteverdi, Christina Pluhar, Cyril Auvity, Jan Van Elsacker | D Minor | 1 | 7A | 110 BPM | ||
Concerto grosso in F Major, Op. 6, No. 2 HWV 320: I. Andante larghetto | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley, Trevor Pinnock, The English Concert | A♭ Minor | 1 | 1A | 157 BPM | ||
Purcell / Arr Pluhar: Who can from joy refrain? (Birthday Ode for the Duke of Gloucester), Z. 342/3: "A prince of glorious race descended" | Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza | G Minor | 1 | 6A | 102 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM |
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