"Motets for 5-8 Voices: Book 3 for 5, 6 and 8 Voices: Hodie Christus natus est" by Giovanni Pierluigi da Palestrina, The Cambridge Singers, John Rutter was released on November 1, 1995. The duration of Motets for 5-8 Voices: Book 3 for 5, 6 and 8 Voices: Hodie Christus natus est is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Motets for 5-8 Voices: Book 3 for 5, 6 and 8 Voices: Hodie Christus natus est's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Cambridge Singers, John Rutter's "Images Of Christ" album is number 3 out of 21. Motets for 5-8 Voices: Book 3 for 5, 6 and 8 Voices: Hodie Christus natus est is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Motets for 5-8 Voices: Book 3 for 5, 6 and 8 Voices: Hodie Christus natus est by Giovanni Pierluigi da Palestrina, The Cambridge Singers, John Rutter to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pastyme with good companye | Henry VIII, Amarcord, Michael Metzler | D Minor | 0 | 7A | 63 BPM | ||
Palestrina: Assumpta est Maria - 1. Assumpta est Maria | Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars | B♭ Major | 2 | 6B | 138 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM | ||
Ubi Caritas II (Through Infinite Ages) | Ola Gjeilo, Westminster Williamson Voices, James Jordan | C Major | 1 | 8B | 138 BPM | ||
Deo dicamus gratias, HoWV IV.2 | Gottfried August Homilius, Sirventes Berlin, Stefan Schuck | F♯ Major | 1 | 2B | 66 BPM | ||
Son of God Mass: Sanctus and Benedictus | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 1 | 7B | 131 BPM | ||
Requiem: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | G Major | 1 | 9B | 73 BPM | ||
Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | ||
Versicles and Responses I | Bernard Rose, The Choir of Magdalen College, Oxford, Martin Souter | A Major | 0 | 11B | 78 BPM | ||
Adesto dolori meo | Jacob Clemens non Papa, Musica Sacra | B♭ Major | 1 | 6B | 87 BPM |
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